From a large series of photograms that created an archive of simple domestic objects.

Similar to the silkscreens, the photographs were intended as fragments stored away in one's memory. The photographs were taken and developed during a artist residency in Paris.

From a series of silkscreens that were imagined as stored mental pictures that could be endlessly retrieved.

This installation of glass negatives wrapped the gallery. Based on found images of war and personal snapshots, the resulting collection is another attempt to talk about stored images that can be "recalled" (or made positive through the printing process).

From a series of photographic negatives printed on panels. I took the photographs in various homes in and around NYC.

This painting is from a series that derive from video stills I printed onto linen impregnated with a light sensitive emulsion. I then painted on the surface, following the raster lines and pixelation of the enlarged image. I studied films that presented quasi-historical narratives, such as Gone with the Wind, thinking of them as an institutional or public forms of perpetuated memory. Perception and point of view (literally) influenced the reading of each painting.